"Decorum of Spirit-resonance and Vividness": Aesthetic Representation of Modern Chinese Boneless Paintings

Authors

  • Duan Feifei Department of Fine Art, College of Creative Arts, Universiti Teknologi MARA, Iskandar, Perak Branch, Malaysia
  • Issarezal Ismail Department of Fine Art, College of Creative Arts, Universiti Teknologi MARA, Iskandar, Perak Branch, Malaysia
  • Hamidi Hadi Department of Fine Art, College of Creative Arts, Universiti Teknologi MARA, Iskandar, Perak Branch, Malaysia
  • Ishak Bin Ramli Department of Fine Art, College of Creative Arts, Universiti Teknologi MARA, Iskandar, Perak Branch, Malaysia

DOI:

https://doi.org/10.53797/icccmjssh.v3i5.10.2024

Keywords:

"decorum of spirit-resonance and vividness", Chinese modern boneless painting Aesthetic, Representation

Abstract

The purpose of this article is to explain how the traditional aesthetic characteristics of "decorum of spirit-resonance and vividness" are represented in modern Chinese paintings. This article uses the qualitative research method of observing illustrations and document analysis, and through the research and analysis of modern boneless painters and their works, summarizes the performance of modern boneless paintings in terms of "decorum of spirit-resonance and vividness", thereby proving that modern boneless paintings have the aesthetic characteristics of bone painting continue on the basis of the aesthetic characteristics of traditional Chinese painting. It is a general summary of contemporary Chinese painting, which illustrates the innovative development of Chinese painting and also reflects the inclusiveness of contemporary Chinese painting.

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Published

2024-09-01

How to Cite

Feifei, D. ., Ismail, I. ., Hadi, H. ., & Ramli, I. . (2024). "Decorum of Spirit-resonance and Vividness": Aesthetic Representation of Modern Chinese Boneless Paintings. ICCCM Journal of Social Sciences and Humanities, 3(5), 58–63. https://doi.org/10.53797/icccmjssh.v3i5.10.2024